From the Evening Gazette, 19 May 1967. (It was not of course Marton Operatic's 13th year, it was our 38th! Robert Atherton had become our Musical Director 13 years ago: perhaps that is what they were confusing it with.)
A
letter from the Rev Fred Secombe, Vicar of Cockett, near Swansea, and brother
of the famour Harry Secombe, has clinched the decision of the Marton Parish
Church Operatic Society to present "Utopia Limited".
This
is one of the last of the Savoy Operas and, unlike most of the others,
it is rarely performed by amateurs. It is an expensive show to produce
and has a large number of principals.
I am told that Liverpool is the nearest
town to Blackpool where there has been an amateur production.
The Secretary
of the Marton society, Mrs R A Birchall, heard that it had been given at Mr
Secombe's church, so she wrote to him for further details.
The reply was
encouraging. Mr Secombe said that the production, in which he played,
was very successful.
Thirteen, it seems, may prove to be the Marton society's
lucky number on this occasion. This is their 13th year, and they are giving
"Utopia Limited" during the week beginning November 13.
The
opera is in the capable hands of Robert Atherton, the musical director, and
Ken Nicholls, the producer, and it is likely to add to the society's long list
of Gilbert and Sullivan successes.
The social committee have arranged
a programme of events to cover the extra expense involved. The first will
be a musical evening and demonstration of high fidelity equipment arranged by
Mr John Stevenson in the Marton Parish Hall next Wednesday.
And the Gazette's review of 14 November
1967...
Although
"Utopia Limited" is one of the least known operettas by Gilbert and
Sullivan, it was an excellent choice, and challenge, for the Marton Parish Church
Operatic and Dramatic Society, last night.
The company opened for the week
in the church hall, and once again this gifted group, with a string of Gand
S successes behind them, were entirely equal to the demands made upon them.
This
was particularly so in overcoming the difficulty of limited stage space, on
which it was by no means easy to achieve harmonious and moving deployments of
principals and chorus.
At its best "Utopia Limited" has many items
at least equal to the better-known works and, perhaps, deserves wider distinction
that it has.
The whole company soon captured the lively, merry mood of the
opera and the principals performed well with Ken Nicholls ("King Paramount")
claiming a double success, for he produced the opera as well.
Other principals
included Joan Addison ("Princess Zara"), Michael Hilton ("Scaphio"),
Alan Judge ("Phantis"), Margaret Hinton ("Lady Sophy").
Other
members of the outstanding company were Donald Sheerin, Arthur Gladwin, Chris
Bennett, Eric Gilfoy, Stan Archer, John Burn, Peter Huscroft, Bill Partington,
Bebe Hilton, Dorothy Brookfield, Judith Morgan, Joan Carter, and Margaret Hayhurst.
The
sure and decisive control of Robert Atherton, the conductor, brought out the
full capabilities of the vocal side.
(The article
concludes with a list of chorus members.)